ricelily:

All these pages are 8.5x11, 300 dpi. Feel free to print it out in full size if you like physical copies

Comics and Comic Artists

Jake Wyatt- deviantart tumblr

"Welcome To Summers"

"Soliloquy"

Suggested Reading/Books:

Scott McCloud’s “Making Comics” (entirely done in comic format)

Exercises/Practices/Tutorials:

Lettering

Speech Bubbles Mistakes

Paint Bucket Resource

Storyboarding and Camera angles

What is DPI?

Transferring Traditional to Digital (Photoshop Tutorial)

(Reblogged from moniquill)
(Reblogged from bankuei)

medievalpoc:

kyraneko:

medievalpoc:

frank-e-shadow-tongue:

supernatasha:

part-ofthecult:

Hogwarts Founders
» Idris Elba // Lucy Liu // Hrithik Roshan // Angel Coulby

While I do love that whoever made this did a good job matching actors to characters, the one issue I have is that Hogwarts is in England and what founded several centuries ago. I’m not saying that there wouldn’t have been blacks or asians in England at the time, but it’s still a historical inaccuracy to depict them as anything other than white Englishmen, since the culture of England at the time wouldn’t have had room for blacks and asians as anything other than slaves or traders.

Please don’t take this as me being racist, this is just me with a debilitating and incurable need for historical accuracy.

So let’s see. The Sorting claims it’s origins about a thousand or so years ago in it’s song, which implies the 1000s. JK Rowling described them as “medieval," which is about 500 to 1500, again agreeing with our 1000 date. So let’s work with that. We’ve got a pretty decent timeline to work with here. 

There have been black people in Scotland since “classical times,” and black moors present in James IV’s royal court in the 1500s, plus there’s St. Deiniol in Wales in the 500s, implying black people were also in the religious court instead of all just slaves and servants. Therefore, could a strong and fearless future-Gryffindor have ancestry native to the Isles? Hmmm.

Hannibal of Carthage was definitely not white (at least not in the modern sense). As a matter of fact, many Mediterranean descended people are mixed with Central Asians, South Asians, and North Africans so… But anyway, in 1555, black men were learning to be interpreters in London to help with trading in the Ghanian region. Here’s a coat of arms with black people on it dated 1616. Also, literally how do you not know about Dido Elizabeth Belle, an aristocratic lady of Scotland from the 1700s???

The Romani migrated out what is now modern day India and Pakistan in about the 1000s, so add in that they’re wizards who can fly and all that jazz, they could’ve easily gotten there within a year or two and settled in Scotland once they learned white people weren’t treating them very kindly. There you go, that’s how a South Asian Slytherin made it to Scotland just in time to found Hogwarts.

Here’s desi people of color from the Indian subcontinent, called Lascars, who had been sailing in Europe from as early as the 1400s, possibly earlier, still fitting that there could’ve been wizards in the British Isles about a hundred or so years earlier. Art from the 1600s showing brown men in turbans. Here’s an Indian man who in the 1700s ran a successful restaurant in England and taught white people to shampoo their hair lol.

Japanese emissaries came to Europe as early as 1584 and observed there were already Chinese and Japanese slaves among the overwhelmingly black slaves, something blamed on Christianity, which was part of the reason why Japan vehemently became isolated from that point.

Also about East Asia, Mongolian Genghis Khan made it to about Poland-ish in the 1200s, so it’s not a far bet to say the Chinese (who were also conquered by Khan on his way to Europe) could’ve found their way to Scotland around that time or a few hundred years earlier. Along with a smart cookie who would go on to be the founder of Ravenclaw.

Native Americans, of course, have been present in Europe for a while. In the 1500s, Manteo and Wanchese arrived in London. There’s evidence the Vikings and Indigenous Americans were friendly long before when Columbus blah blah, and there’s even evidence of Native Americans in Holland that’s like 2000 years old. Could a kind and loyal future Hufflepuff be one of those mixed race indigenous American-Africans?

ALSO considering the fact that Binns (the history professor at Hogwarts) specifically stated that witches and wizards were being persecuted and Hogwarts was built out of sight of Muggle eyes, it’s completely possible that POC came to Scotland and built the castle happily for other magical humans to have a safe place. Since HP universe is a fantasy anyway, read these article while you’re at it.

So yeah, I understand your implication that you don’t want to be racist or anything like that (bc being called racist is ofc so much worse than actually being ignorant), but POC were not just traders and slaves in the British Isles, they were a fuckton of other things your history books aren’t telling you (or trying to intentionally steer you away from). So me having an all-brown cast for a location in a dominantly-white place I’m sure is irking the fuck out of you, and that makes me so glad to see you confronted with that “incurable” need for historical accuracy you have.

And check out this rad blog: Racebending Harry Potter.

how come the only time people mention the enslavement of black people in Europe is when they want to deny our presence in fantasy fiction?

And that’s what it really boils down to pretty much every time.

Because someone couldn’t deal with a single photoset with characters of color in a FANTASY setting. None of the “fact checking” is really necessary, because that isn’t really the issue. Fantasy fiction isn’t something that should be subject to “proof”, but when it comes to racial diversity, it invariably is every time.

It’s my hope that with Medievalpoc, this endless quibbling about what is and is not “historically accurate” can be done away with, and Toni Morrison’s quote here can become creative people of color’s realities:

image

I love how the OP is “not racist, just suffering from a need for historical accuracy” and yet feels the need to piss on somebody’s fantasy fancasting, not about the plausibility of wizards who almost certainly didn’t exist but about the plausibility of people of color who not only did exist but demonstrably did exist there.

Telling people that they can’t have fiction about people like them because you need “historical accuracy” in their fantasy is, at best, selfish as fuck; treating people of color like anything they produce is yours first and foremost, not theirs, is well into racism territory, both in what it does to them and that you feel you can and should do it.

Also, citing a need for historical accuracy to support a very simplistic, naive, utterly unresearched position that boils down to “my assumptions make sense to me so nothing else could ever be right” plus “it can’t have been different from what I think because nobody ever told me” is self-servicing bullshit. Historical accuracy means you look at what IS rather than just assuming what you want to see. Granted, history is historically shitty at this. OP is nothing new. But OP is also applying more stringent standards to someone else’s fiction than to hir own understanding of history. And that’s no good.

That’s a pretty good summation. And that’s the thing-none of this is really about history at all.

(Reblogged from moniquill)
(Reblogged from moniquill)
(Reblogged from thisisnotchina)

subjectnumber32:

outerlabia:

fpti:

earlygr4ves:

i walked into health and screamed and the teacher goes “you’re the 7th person today. they’re cpr dummies.”

jesus christ

they’re calling to mother for food

F  E  E  D

(Reblogged from moniquill)

As women, when we’re children we’re taught to enter the world with big hearts. Blooming hearts. Hearts bigger than our damn fists. We are taught to forgive - constantly - as opposed to what young boys are taught: Revenge, to get ‘even.’ Our empathy is constantly made appeals to, often demanded for. If we refuse to show kindness, we are reprimanded. We are not good women if we do not crush our bones to make more space for the world, if we do not spread our entire skin over rocks for others to tread on, if we do not kill ourselves in every meaning of the word in the process of making it cozy for everyone else. It is the heat generated by the burning of our bodies with which the world keeps warm. We are taught to sacrifice so much for so little. This is the general principle all over the world.

By the time we are young women, we are tired. Most of us are drained. Some of us enter a lock of silence because of that lethargy. Some of us lash out. When I think of that big, blooming heart we once had, it looks shriveled and worn out now. When I was teaching, I had a young student named Mariam. She was only 11 years old. Some boy pushed her around in class, called her names, broke her spirit for the day. We were sitting under a chestnut tree on a field trip and she asked me if a boy ever hurt me. I told her many did and I destroyed them one by one. I think that’s the first time she ever heard the word ‘destroyed.’ We rarely teach our girls to fight back for the right reasons.

Take up more space as a woman. Take up more time. Take your time. You are taught to hide, censor, move about without messing up decorum for a man’s comfort. Whether it’s said or not, you’re taught balance. Forget that. Displease. Disappoint. Destroy. Be loud, be righteous, be messy. Mess up and it’s fine – you are learning to unlearn. Do not see yourself like glass. Like you could get dirty and clean. You are flesh. You are not constant. You change. Society teaches women to maintain balance and that robs us of our volatility. Our mercurial hearts. Calm and chaos. Love only when needed; preserve otherwise.

Do not be a moth near the light; be the light itself. Do not let a man’s ocean-big ego swallow you up. Know what you want. Ask yourself first. Decide your own pace. Decide your own path. Be cruel when needed. Be gentle only when needed. Collapse and then re-construct. When someone says you are being obscene, say yes I am. When they say you are being wrong, say yes I am. When they say you are being selfish, say yes I am. Why shouldn’t I be? How do you expect a woman to stand on her two feet if you keep striking her at the ankles.

There are multiple lessons we must teach our young girls so that they render themselves their own pillars instead of keeping male approval as the focal point of their lives. It is so important to state your feelings of inconvenience as a woman. We are instructed to tailor ourselves and our discomfort - constantly told that we are ‘whining’ and ‘nagging’ and ‘complaining too much.’ That kind of silence is horribly violent, that kind of insistence upon uniformly nodding in agreement to your own despair, and smiling emptily so no man is ever uncomfortable around us. Male-entitlement dictates a woman’s silence. If we could see the mimetic model of the erasure of a woman’s voice, it would be an incredibly bloody sight.

On a breezy July night, my mother and I were sleeping under the open sky. Before dozing off, I told her that I think there is a special place in heaven where all wounded women bury their broken hearts and their hearts grow into trees that only give fruit to the good and poison to the bad. She smiled and said Ameen. Then she closed her eyes.

A Woman of War by Mehreen Kasana (via pbnpineapples)
(Reblogged from moniquill)

il-tenore-regina:

brandx:

Native Filmmakers Shoot Dystopian Drama on Pine Ridge Reservation

It’s 2085 on Pine Ridge. The reservation has been quarantined and borders guarded by the military for 30 years. Sparked by the ramifications of the Keystone XL pipeline, the war between the government and the insurgency lasted for eight years and resulted in the dystopian setting that provides the background for "The People," the inaugural project from Indigene Studios.

Based out of Pine Ridge Indian Reservation, Indigene Studios was co-founded in April 2014 by Willi White, Oglala Lakota, and Angel White Eyes, Oglala Lakota and Ojibwa.

“This is our way of giving back to our communities but also expressing ourselves,” White said. “Non-Natives always come here and sell the same narrative to the mainstream media. We want to change that narrative and give a voice to the stories that are already here.”

Click-through to their IndieGoGo campaign!
via Indian Country Today Media Network

Give. It. To. Me. 

(Reblogged from moniquill)

idlenomorewisconsin:

You are all invited to this free event! Sept. 16th WISCONSIN’S MINING STANDOFF” TO SHOW AT UW-SUPERIOR

On Tuesday, September 16, at 7p, UW-Superior will hold a free film screening of “WISCONSIN’S MINING STANDOFF”, a new documentary about the controversial proposal to dig an open-pit iron mine in northern Wisconsin. The 25-minute film will be followed by a discussion featuring GLIFWC Attorney Philomena Kebec, Northland College Geologist Tom Fitz, and Ashland County Board Chair Pete Russo. The event will be held in UW-Superior’s Holden Fine Arts Center at the Manion Theater.

A proposal to dig what could be one of North America’s largest open pit iron mines in northern Wisconsin pits corporate interests against a coalition of tribes and local residents.

On March 11, 2013, Wisconsin Governor Scott Walker signed legislation that rewrote the state’s iron mining laws, paving the way for Gogebic Taconite (GTAC) to dig a $1.5 billion open-pit mine in the pristine woods of the Penokee mountain range. The mine, which could eventually reach 22-miles in length, provoked an immediate standoff. On one side is GTAC and its supporters anxious for jobs in an area with unemployment double the national average. On the other stand the tribes, residents, and political leaders intent on preserving the land and protecting the water from contamination. Fault Lines follows the unfolding battle on the ground and traces the way money and power have influenced the laws that will determine whether and how this mine gets built.

http://371productions.com/what-we-make/documentaries/mining

PRESS

The Joy Cardin Show, WPRMining Documentary Touring Wisconsin, July 29, 2014

WXPR Public RadioInvestigative Film on Penokee Mine Comes to Northern Wisconsin, July 24, 2014

Center for Media and Democracy’s PR WatchNew Film on Controversial Wisconsin Mine to Tour State, July 22, 2014

The Capitol TimesFilm on Gogebic Taconite mine to air on Al Jazeera America, June 13, 2014

89.7 WUWM Milwaukee Public RadioDocumentary Explores Volatile Issues Around Proposed Iron Mine in Northern Wisconsin, June 13, 2014

Express MilwaukeeNorthern Wisconsin Iron Mine Documentary Will Air Saturday, June 13, 2014

Milwaukee Journal Sentinel TAPBattle over Wisconsin mining focus of Al Jazeera documentary, June 13, 2014

Milwaukee RecordInvestigative piece on Wisconsin iron mine to air on Al Jazeera America, June 12, 2013

Great Lakes EchoTelevision show examines Wisconsin mine proposal, June 10, 2014

WXPR Public RadioAl Jazeera America To Air Film on Penokee Mine, June 8, 2014

(Reblogged from moniquill)

iwriteaboutfeminism:

Will Darren Wilson ever be arrested?

(Reblogged from thisiseverydayracism)